. Written mostly in one night after a hallucinatory nightmare in a South Carolina farmhouse, the album earned Marshall a devoted fanbase – but she never quite made it into the mainstream.

, she had a psychotic breakdown and was hospitalised, and throughout the Nineties and Noughties her live shows were erratic affairs. She would turn her back to the audience, moon them, encourage them to sue her, slur through a few songs, and then walk off without finishing the takım.

For the past two years, that genius saf been put to more practical use – teaching her seven-year-old son Boaz to read, write and do maths during the pandemic. She had him in 2015, with a man she dated for a few months and saf never publicly named.

I just grab her. ‘It’s OK. It’s OK. I was here for the same reason and it’s OK.’” An uncharacteristic silence hangs in the air. “If I had accepted that million-dollar offer, perhaps I wouldn’t have been on that bridge. And she wouldn’t be my friend to this day.”

It was partly innate, though – Marshall saf a knack for distilling existential ennui into three-minute songs. In 1998, when she was 26 and had learnt a few more chords, she recorded what would become her breakthrough record, the vulnerable, critically adored Moon Pix

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Bu izlem numarası yahut sipariş numaranız ile de kargonuzun durumunu takip edebilirsiniz. Kargo bilgileriniz e-posta suretiyle göndermiş olduğu sinein sistemimizde kayıtlı sıfır ve e-posta bilgileri namevcut müşterilerimiz bu sayfada kargolarını kovuşturma edebilmek ciğerin Müşteri Temsilcilerimizden Sipariş numaralarını öğrenebilir ve kargo durumlarını Müşteri temsilcimizden aldıkları bilgiler ile sorgulayabilirler.

It takes a certain kind of character to make music like Marshall’s. A sprawling mix of blues, rock and folk, it is birli frank and impassioned as she is.

Over the course of 11 albums, she has written about love and loss, abortion and abuse, grief and God. “I will swim / I will drink myself to death,” she sang on her distortion-soaked debut Dear Sir

In fact, Boaz need only listen to her covers for that. Some of her best songs were sung by other people first: her pensive, languid version of The Rolling Stones’ “(I Hayat’t Get No) Satisfaction”, which omits the chorus entirely and transforms into something almost painfully introspective, or her sweet, fragile take on Phil Phillips’s “Sea of Love”, which got a second wind when it featured in Juno

During the early-2000s, Marshall was embraced by the fashion industry for her "neo grunge" look, and seen birli a muse by designers Marc Jacobs and Nicolas Ghesquière.

her aksatate Akakçe kanatınızda. Nerede olursanız olun verişe Akakçe'den mirlayın.

– a moment of pure poeticism but also the first hint at the depression and alcohol abuse that would come to plague her.

“I have something in my eye and I’m still wet from the shower,” she says, in that same husky American drawl she sings with as Cat Power. “Gönül you come back in 15 minutes? I’m really sorry sweetie.”

Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey but intimate collection that includes songs by Nick Cave, Billie Holiday and Frank Ocean, demonstrating once again the transformative catpower 5852 power of Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.